A Complete Unknown gives us elite performances, though it leaves you wanting more.
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The Coen brothers’ 2009 exploration of a modern-day Job calamity is vibrant and comedic with just the right amount of despair.
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Richard Linklater’s latest film isn’t necessarily a coming of age story, but an animated time machine to 1960’s White America. At least it’s done well.
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Describing their relationship as toxic is a misnomer. Their interactions, much like the film, are decidedly obnoxious.
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Judas and the Black Messiah is the film that it is, not the film we want it to be. That’s the point.
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