Richard Linklater’s latest film isn’t necessarily a coming of age story, but an animated time machine to 1960’s White America. At least it’s done well.
Read MoreDescribing their relationship as toxic is a misnomer. Their interactions, much like the film, are decidedly obnoxious.
Read MoreJudas and the Black Messiah is the film that it is, not the film we want it to be. That’s the point.
Read MoreSome things always seem better left unsaid and unchecked, and that’s a really big problem.
Read MoreMight the 2020’s shake out to be the largest exploration of Black-centered cinema, ever?
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